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Book Review Conversations With Tom Wolfe by Dorothy Scura

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American author and journalist (1930–2018)

This article is about the belatedly 20th- and early 21st-century author. For the early on 20th-century writer, encounter Thomas Wolfe. For other uses, see Thomas Wolf.

Tom Wolfe
Wolfe in 1988

Wolfe in 1988
Born Thomas Kennerly Wolfe Jr.
(1930-03-02)March 2, 1930
Richmond, Virginia, U.S.
Died May 14, 2018(2018-05-14) (aged 88)
New York City, U.S.
Occupation
  • Journalist
  • author
Education
  • Washington and Lee University (BA)
  • Yale University (PhD)
Period 1959–2016
Literary motility New Journalism
Spouse

Sheila Berger

​

(k. )​

[1]
Children 2

Thomas Kennerly Wolfe Jr. (March 2, 1930 – May 14, 2018)[a] was an American writer and announcer widely known for his association with New Journalism, a style of news writing and journalism developed in the 1960s and 1970s that incorporated literary techniques.

Wolfe began his career as a regional newspaper reporter in the 1950s, achieving national prominence in the 1960s following the publication of such acknowledged books as The Electrical Kool-Assistance Acrid Test (a highly experimental account of Ken Kesey and the Merry Pranksters) and two collections of manufactures and essays, Radical Chic & Mau-Mauing the Flak Catchers and The Kandy-Kolored Tangerine-Fleck Streamline Babe. In 1979, he published the influential book The Correct Stuff about the Mercury Vii astronauts, which was fabricated into a 1983 film of the same name directed by Philip Kaufman.

His first novel, The Bonfire of the Vanities, published in 1987, was met with critical acclaim and also became a commercial success. Its accommodation as a motion picture of the same name, directed by Brian De Palma, was a critical and commercial failure.

Early on life and instruction [edit]

Wolfe was built-in on March 2, 1930, in Richmond, Virginia, the son of Helen Perkins Hughes Wolfe, a garden designer, and Thomas Kennerly Wolfe Sr. (1893 - 1972), an agronomist and editor of The Southern Planter.[2] [3]

He grew up on Gloucester Road in the Richmond North Side neighborhood of Sherwood Park. He recounted childhood memories in a foreword to a book most the nearby celebrated Ginter Park neighborhood. He was student council president, editor of the schoolhouse newspaper, and a star baseball player at St. Christopher's School, an Episcopal all-boys schoolhouse in Richmond.[4]

Upon graduation in 1947, he turned down access to Princeton University to nourish Washington and Lee University.[5] At Washington and Lee, Wolfe was a member of the Phi Kappa Sigma fraternity. He majored in English, was sports editor of the higher newspaper, and helped found a literary magazine, Shenandoah, giving him opportunities to exercise his writing both inside and exterior the classroom. Of particular influence was his professor Marshall Fishwick, a teacher of American studies educated at UVA and Yale. More in the tradition of anthropology than literary scholarship, Fishwick taught his students to look at the whole of a culture, including those elements considered profane. Wolfe's undergraduate thesis, entitled "A Zoo Total of Zebras: Anti-Intellectualism in America," evinced his fondness for words and aspirations toward cultural criticism. Wolfe graduated cum laude in 1951.

While still in college, Wolfe connected playing baseball every bit a pitcher and began to play semi-professionally. In 1952, he earned a tryout with the New York Giants, simply was cut later on three days, which he blamed on his inability to throw good fastballs. Wolfe abandoned baseball and instead followed his professor Fishwick's example, enrolling in Yale University's American studies doctoral program. His Ph.D. thesis was titled The League of American Writers: Communist Organizational Activeness Amid American Writers, 1929-1942. [half dozen] In the course of his enquiry, Wolfe interviewed many writers, including Malcolm Cowley, Archibald MacLeish, and James T. Farrell.[vii] A biographer remarked on the thesis: "Reading it, ane sees what has been the most baleful influence of graduate instruction on many who have suffered through it: It deadens all sense of style."[eight] Originally rejected, his thesis was finally accustomed subsequently he rewrote it in an objective rather than a subjective style. Upon leaving Yale, he wrote a friend, explaining through expletives his personal opinions about his thesis.[nine]

Journalism and New Journalism [edit]

Though Wolfe was offered teaching jobs in academia, he opted to work as a reporter. In 1956, while still preparing his thesis, Wolfe became a reporter for the Springfield Union in Springfield, Massachusetts. Wolfe finished his thesis in 1957.

In 1959, he was hired by The Washington Post. Wolfe has said that function of the reason he was hired by the Post was his lack of interest in politics. The Postal service'due south metropolis editor was "amazed that Wolfe preferred cityside to Capitol Hill, the beat every reporter wanted." He won an laurels from The Newspaper Gild for foreign reporting in Cuba in 1961 and also won the Guild's award for humour. While in that location, Wolfe experimented with fiction-writing techniques in feature stories.[10]

In 1962, Wolfe left Washington D.C. for New York Urban center, taking a position with the New York Herald Tribune as a general assignment reporter and feature writer. The editors of the Herald Tribune, including Dirt Felker of the Sunday section supplement New York magazine, encouraged their writers to interruption the conventions of newspaper writing.[11] Wolfe attracted attention in 1963 when, three months earlier the JFK assassination, he published an article on George Ohsawa and the sanpaku status foretelling death.[12]

During the 1962–63 New York Metropolis newspaper strike, Wolfe approached Esquire magazine about an article on the hot rod and custom auto culture of southern California. He struggled with the commodity until his editor, Byron Dobell, suggested that Wolfe send him his notes so they could piece the story together. Wolfe procrastinated. The evening earlier the deadline, he typed a letter of the alphabet to Dobell explaining what he wanted to say on the subject, ignoring all journalistic conventions. Dobell'southward response was to remove the salutation "Dear Byron" from the top of the letter of the alphabet and publish it intact every bit reportage. The result, published in 1963, was "There Goes (Varoom! Varoom!) That Kandy-Kolored Tangerine-Scrap Streamline Baby." The article was widely discussed—loved by some, hated by others. Its notoriety helped Wolfe proceeds publication of his start book, The Kandy-Kolored Tangerine-Bit Streamline Baby, a collection of his writings from the Herald-Tribune, Esquire, and other publications.[13]

This was what Wolfe called New Journalism, in which some journalists and essayists experimented with a variety of literary techniques, mixing them with the traditional ideal of dispassionate, even-handed reporting. Wolfe experimented with four literary devices not normally associated with feature writing: scene-past-scene construction, extensive dialogue, multiple points of view, and detailed description of individuals' status-life symbols (the material choices people brand) in writing this stylized grade of journalism. He later referred to this style as literary journalism.[14] Of the employ of status symbols, Wolfe has said, "I think every living moment of a man being's life, unless the person is starving or in firsthand danger of death in another fashion, is controlled by a concern for status."[15]

Wolfe also championed what he called "saturation reporting," a reportorial approach in which the announcer "shadows" and observes the subject over an extended flow of time. "To pull it off," says Wolfe, "you casually have to stay with the people yous are writing about for long stretches ... long enough so that you are actually there when revealing scenes take place in their lives."[xvi] Saturation reporting differs from "in-depth" and "investigative" reporting, which involve the straight interviewing of numerous sources and/or the extensive analyzing of external documents relating to the story. Saturation reporting, according to communication professor Richard Kallan, "entails a more complex gear up of relationships wherein the journalist becomes an involved, more fully reactive witness, no longer distanced and discrete from the people and events reported."[17]

Wolfe's The Electrical Kool-Aid Acrid Test is considered a striking example of New Journalism. This account of the Merry Pranksters, a famous sixties counter-culture group, was highly experimental in Wolfe's use of onomatopoeia, costless association, and eccentric punctuation—such every bit multiple exclamation marks and italics—to convey the manic ideas and personalities of Ken Kesey and his followers.

In improver to his own work, Wolfe edited a drove of New Journalism with Due east. W. Johnson, published in 1973 and titled The New Journalism. This book published pieces by Truman Capote, Hunter S. Thompson, Norman Mailer, Gay Talese, Joan Didion, and several other well-known writers, with the common theme of journalism that incorporated literary techniques and which could exist considered literature.[18]

Non-fiction books [edit]

In 1965, Wolfe published a drove of his manufactures in this style, The Kandy-Kolored Tangerine-Bit Streamline Baby, calculation to his notability. He published a 2nd drove of articles, The Pump Business firm Gang, in 1968. Wolfe wrote on popular culture, architecture, politics, and other topics that underscored, amidst other things, how American life in the 1960s had been transformed by post-WWII economic prosperity. His defining work from this era is The Electric Kool-Aid Acid Examination (published the aforementioned mean solar day as The Pump House Gang in 1968), which for many epitomized the 1960s. Although a conservative in many ways (in 2008, he claimed never to take used LSD and to have tried marijuana only in one case[19]). Wolfe became one of the notable figures of the decade.

In 1970, he published two essays in book form as Radical Chichi & Mau-Mauing the Flak Catchers. "Radical Chic" was a biting business relationship of a political party given by composer and usher Leonard Bernstein to raise money for the Black Panther Party. "Mau-Mauing The Flak Catchers" was about the exercise by some African Americans of using racial intimidation ("mau-mauing") to excerpt funds from government welfare bureaucrats ("flak catchers"). Wolfe's phrase, "radical chichi", before long became a popular derogatory term for critics to utilize to upper-grade leftism. His Mauve Gloves & Madmen, Clutter & Vine (1977) included Wolfe's noted essay, The "Me" Decade and the Third Dandy Awakening.

In 1979, Wolfe published The Right Stuff, an account of the pilots who became America's commencement astronauts. Post-obit their grooming and unofficial, even foolhardy, exploits, he likened these heroes to "single combat warriors" of a bygone era, going along to boxing in the Space Race on behalf of their land. In 1983, the volume was adapted as a characteristic pic.

In 2016 Wolfe published The Kingdom of Spoken language, a critique of the work of Charles Darwin and Noam Chomsky. Wolfe synthesized what he construed as the views of Alfred Russel Wallace and Chomsky on the language organ as not existence a product of natural selection to suggest that speech communication is an invention that is responsible for establishing our humanity. Some critics claimed that Wolfe'due south view on how humans developed speech were non supported past inquiry and were opinionated.[20] [21]

Critiques of art and architecture [edit]

Wolfe also wrote 2 critiques of and social histories of modern art and mod compages, The Painted Word and From Bauhaus to Our House, published in 1975 and 1981, respectively. The Painted Word mocked the excessive insularity of the art globe and its dependence on what he saw as faddish critical theory. In From Bauhaus to Our House he explored what he said were the negative effects of the Bauhaus style on the development of mod compages.[22]

Made for Boob tube movie [edit]

In 1977, PBS produced Tom Wolfe's Los Angeles, a fictional, satirical TV pic set in Los Angeles. Wolfe appears in the picture show as himself.[23]

Novels [edit]

Throughout his early career, Wolfe had planned to write a novel to capture the wide reach of American society. Amongst his models was William Makepeace Thackeray's Vanity Fair, which described the guild of 19th-century England. In 1981, he ceased his other piece of work to concentrate on the novel.

Wolfe began researching the novel by observing cases at the Manhattan Criminal Court and shadowing members of the homicide squad in The Bronx. While the research came hands, he encountered difficulty in writing. To overcome his writer'due south cake, Wolfe wrote to Jann Wenner, editor of Rolling Rock, to suggest an idea drawn from Charles Dickens and Thackeray: to serialize his novel. Wenner offered Wolfe around $200,000 to serialize his work.[24] The frequent deadline force per unit area gave him the motivation he had sought, and from July 1984 to Baronial 1985, he published a new installment in each biweekly consequence of Rolling Stone.

Afterwards Wolfe was unhappy with his "very public starting time draft"[25] and thoroughly revised his work, even changing his protagonist, Sherman McCoy. Wolfe had originally made him a writer, but recast him as a bond salesman. Wolfe researched and revised for two years, and his The Blaze of the Vanities was published in 1987. The volume was a commercial and critical success, spending weeks on bestseller lists and earning praise from the very literary establishment on which Wolfe had long heaped scorn.[26]

Because of the success of Wolfe's offset novel, in that location was widespread interest in his second. This novel took him more than 11 years to complete; A Man in Full was published in 1998. The book's reception was not universally favorable, though information technology received glowing reviews in Time, Newsweek, The Wall Street Journal, and elsewhere. An initial printing of 1.ii million copies was announced and the book stayed at number i on The New York Times ' bestseller list for ten weeks. Noted writer John Updike wrote a disquisitional review for The New Yorker, complaining that the novel "amounts to entertainment, not literature, even literature in a modest entrant course."[27] His comments sparked an intense war of words in the print and circulate media amidst Wolfe and Updike, and authors John Irving and Norman Mailer, who also entered the fray.

In 2001, Wolfe published an essay referring to these three authors as "My 3 Stooges."[28] That year he also published Hooking Up (a drove of curt pieces, including the 1997 novella Deadfall at Fort Bragg).

He published his third novel, I Am Charlotte Simmons (2004), chronicling the decline of a poor, bright scholarship educatee from Alleghany County, North Carolina, after attending an elite university. He conveys an institution filled with snobbery, materialism, anti-intellectualism, and sexual promiscuity. The novel met with a mostly tepid response past critics. Many social conservatives praised it in the belief that its portrayal revealed widespread moral decline. The novel won a Bad Sex activity in Fiction Award from the London-based Literary Review, a prize established "to depict attention to the crude, tasteless, often perfunctory use of redundant passages of sexual clarification in the modern novel".[29] Wolfe later explained that such sexual references were deliberately clinical.[ citation needed ]

Wolfe wrote that his goal in writing fiction was to document gimmicky order in the tradition of Charles Dickens, Émile Zola, and John Steinbeck.

Wolfe announced in early 2008 that he was leaving his longtime publisher, Farrar, Straus and Giroux. His fourth novel, Dorsum to Blood, was published in Oct 2012 by Little, Dark-brown and Company. Co-ordinate to The New York Times, Wolfe was paid close to US$7 million for the book.[30] Co-ordinate to the publisher, Back to Claret is about "class, family, wealth, race, crime, sexual practice, abuse and ambition in Miami, the city where America'southward future has arrived get-go."[31] The volume was released to mixed reviews. Dorsum to Claret was an even bigger commercial failure than I Am Charlotte Simmons.[32]

Disquisitional reception [edit]

Kurt Vonnegut said Wolfe is "the about exciting—or, at least, the most jangling—journalist to appear in some fourth dimension," and "a genius who will do anything to become attention."[33] Paul Fussell called Wolfe a splendid author and stated "Reading him is exhilarating non because he makes us hopeful of the human future but because he makes united states of america share the enthusiasm with which he perceives the bodily."[34] Critic Dwight Garner praised Wolfe every bit "a brilliantly gifted social observer and satirist" who "made a fetish of shut and frequently comically slashing item" and was "unafraid of kicking upwardly at the pretensions of the literary institution."[35] Harold Bloom described Wolfe as "a vehement storyteller, and a vastly adequate social satirist".[36]

Critic James Wood disparaged Wolfe's "large subjects, big people, and yards of flapping exaggeration. No 1 of average size emerges from his shop; in fact, no real human variety can be plant in his fiction, considering everyone has the aforementioned enormous excitability."[37]

In 2000, Wolfe was criticised by Norman Mailer, John Updike and John Irving, later they were asked if they believed that his books were deserving of their critical acclaim. Mailer compared reading a Wolfe novel to having sex with a 300 lb woman, maxim, "Once she gets to the superlative it's all over. Fall in love or be asphyxiated." Updike was more literary in his reservedness: He claimed that A Human being in Total "amounts to entertainment, not literature, even literature in a modest aspirant class." Irving was perhaps the nearly dismissive, saying "It's like reading a bad newspaper or a bad piece in a magazine... read sentences and watch yourself gag." Wolfe responded, proverb, "It's a tantrum. It'southward a wonderful tantrum. A Man in Full panicked Irving the aforementioned style it panicked Updike and Norman. Frightened them. Panicked them." He after called Updike and Mailer "two onetime piles of bones" and said once more that Irving was frightened by the quality of his work. Later that year he published an essay titled My Three Stooges about the critics.[38]

Recurring themes [edit]

Wolfe'southward writing throughout his career showed an interest in social condition competition.[39]

Much of Wolfe's later on work addresses neuroscience. He notes his fascination in "Sorry, Your Soul Merely Died", one of the essays in Hooking Upward. This topic is also featured in I Am Charlotte Simmons, as the championship grapheme is a student of neuroscience. Wolfe describes the characters' thought and emotional processes, such equally fright, humiliation and lust, in the clinical terminology of encephalon chemistry. Wolfe also frequently gives detailed descriptions of various aspects of his characters' anatomies.[forty]

White adapt [edit]

Wolfe adopted wearing a white arrange as a trademark in 1962. He bought his first white accommodate, planning to vesture it in the summer, in the fashion of Southern gentlemen. He found that the suit he'd bought was as well heavy for summer use, so he wore it in winter, which created a sensation. At the time, white suits were supposed to be reserved for summer vesture.[41] Wolfe maintained this as a trademark. He sometimes accompanied it with a white tie, white homburg hat, and two-tone spectator shoes. Wolfe said that the outfit disarmed the people he observed, making him, in their eyes, "a man from Mars, the man who didn't know anything and was eager to know."[42]

Views [edit]

In 1989, Wolfe wrote an essay for Harper'southward Magazine, titled "Stalking the Billion-Footed Beast". It criticized modern American novelists for declining to appoint fully with their subjects, and suggested that modern literature could be saved past a greater reliance on journalistic technique.[43]

Wolfe supported George West. Bush as a political candidate and said he voted for him for president in 2004 because of what he called Bush'southward "smashing decisiveness and willingness to fight."[44] Bush reciprocated the admiration, and is said to have read all of Wolfe'due south books, co-ordinate to friends in 2005.[45]

Wolfe's views and choice of discipline material, such as mocking left-fly intellectuals in Radical Chic, glorifying astronauts in The Right Stuff and critiquing Noam Chomsky in The Kingdom of Speech sometimes resulted in his being labeled conservative.[46] Due to his depiction of the Blackness Panther Political party in Radical Chic, a member of the party chosen him a racist.[47] Wolfe rejected such labels. In a 2004 interview in The Guardian, he said that his "idol" in writing near society and culture is Émile Zola. Wolfe described him as "a man of the left"; one who "went out, and found a lot of ambitious, drunk, slothful and hateful people out there. Zola simply could not—and was not interested in—telling a prevarication."[46]

Asked to annotate by The Wall Street Journal on blogs in 2007 to mark the tenth anniversary of their advent, Wolfe wrote that "the universe of blogs is a universe of rumors" and that "blogs are an advance guard to the rear."[48] He likewise took the opportunity to criticize Wikipedia, saying that "just a primitive would believe a discussion of" it. He noted a story about him in his Wikipedia bio article at the time which he said had never happened.[48]

Wolfe was an atheist but said that "I hate people who go effectually proverb they're atheists".[49] Of his religious upbringing, Wolfe observed that he "was raised as a Presbyterian".[50] [51] Wolfe sometimes referred to himself as a "lapsed Presbyterian."[52]

Personal life [edit]

Wolfe lived in New York City with his wife Sheila, who designs covers for Harper's Mag. They had two children: a girl, Alexandra; and a son, Thomas Kennerly III.[53]

Death and legacy [edit]

Wolfe died from an infection in Manhattan on May xiv, 2018, at the age of 88.[ii] [54]

The historian Meredith Hindley credits Wolfe with introducing the terms "statusphere", "the right stuff", "radical chic", "the Me Decade" and "good ol' boy" into the English lexicon.[55]

Wolfe was at times incorrectly credited with coining the term "trophy married woman". His term for extremely thin women in his novel The Bonfire of the Vanities was "social X-rays".[56]

According to journalism professor Ben Yagoda, Wolfe is as well responsible for the use of the present tense in mag contour pieces; before he began doing and so in the early on 1960s, profile articles had always been written in the by tense.[57]

Listing of awards and nominations [edit]

  • 1961 Washington Paper Society Award for Foreign News Reporting
  • 1961 Washington Newspaper Guild Honor for Humor
  • 1970 Club of Magazine Writers Laurels for Excellence
  • 1971 D.F.A., Minneapolis College of Art and Design
  • 1973 Frank Luther Mott Inquiry Award
  • 1974 D.Litt., Washington and Lee Academy
  • 1977 Virginia Laureate for literature
  • 1979 National Book Critics Circle Finalist Full general Nonfiction Finalist for The Right Stuff
  • 1980 National Book Laurels for Nonfiction for The Correct Stuff [58] [b]
  • 1980 Columbia Journalism Accolade for The Right Stuff
  • 1980 Harold D. Vursell Memorial Award of the American Institute of Arts and Letters
  • 1980 Fine art History Citation from the National Sculpture Society
  • 1983 L.H.D., Virginia Commonwealth University
  • 1984 L.H.D., Southampton Higher
  • 1984 John Dos Passos Prize
  • 1986 Gari Melchers Medal
  • 1986 Benjamin Pierce Cheney Medal from Eastern Washington Academy
  • 1986 Washington Irving Medal for Literary Excellence
  • 1987 National Book Critics Circle fiction Finalist for The Bonfire of the Vanities
  • 1987 D.F.A., School of Visual Arts
  • 1988 L.H.D., Randolph–Macon College
  • 1988 L.H.D., Manhattanville College
  • 1989 Fifty.H.D., Longwood Higher
  • 1990 St. Louis Literary Award from Saint Louis University Library Assembly[59] [60]
  • 1990 D.Litt., St. Andrews Presbyterian College
  • 1990 D.Litt., Johns Hopkins Academy
  • 1993 D.Litt., University of Richmond
  • 1998 National Book Honour Finalist for A Man in Total [61]
  • 2001 National Humanities Medal
  • 2003 Chicago Tribune Literary Prize for Lifetime Accomplishment
  • 2004 Bad Sex in Fiction Award from Literary Review
  • 2005 Golden Plate Honour of the American University of Achievement[62]
  • 2006 Jefferson Lecture in Humanities
  • 2010 National Book Foundation Medal for Distinguished Contribution to American Letters[63]

Television and moving picture appearances [edit]

  • Wolfe'due south legs appeared in John Lennon and Yoko Ono'south 1971 film Upwardly Your Legs Forever [64]
  • Wolfe was featured equally an interview subject field in the 1987 PBS documentary series Space Flying.
  • In July 1975, Wolfe was interviewed on Firing Line past William F. Buckley Jr., discussing The Painted Word.[65]
  • Wolfe was featured on the February 2006 episode "The White Stuff" of Speed Channel's Unique Whips, where his Cadillac'southward interior was customized to lucifer his trademark white suit.[66]
  • Wolfe guest-starred aslope Jonathan Franzen, Gore Vidal and Michael Chabon in The Simpsons episode "Moe'N'a Lisa", which aired November 19, 2006. He was originally slated to be killed by a giant boulder, but that ending was edited out.[67] Wolfe was too used as a sight gag on The Simpsons episode "Insane Clown Poppy", which aired on November 12, 2000. Homer spills chocolate on Wolfe's trademark white suit, and Wolfe rips it off in one swift motion, revealing an identical suit underneath. The episode "Flanders' Ladder" was defended to the memory of Wolfe every bit seen at the end of the episode'south credits.

Bibliography [edit]

Non-fiction [edit]

  • The Kandy-Kolored Tangerine-Fleck Streamline Babe (1963)
  • The Electric Kool-Assist Acid Test (1968)
  • The Pump Firm Gang (1968)
  • Radical Chic & Mau-Mauing the Flak Catchers (1970)
  • The New Journalism (1973) (Ed. with EW Johnson)
  • The Painted Word (1975)
  • Mauve Gloves & Madmen, Clutter & Vine (1976)
  • The Right Stuff (1979)
  • In Our Fourth dimension (1980)
  • From Bauhaus to Our House (1981)
  • The Royal Decades (1982)
  • Hooking Upwards (2000)
  • The Kingdom of Speech (2016)

Novels [edit]

  • The Bonfire of the Vanities (1987)
  • Ambush at Fort Bragg (1996/7) Novella[68]
  • A Homo in Full (1998)
  • I Am Charlotte Simmons (2004)
  • Dorsum to Blood (2012)

Featured in [edit]

  • The Sixties, episode 7 (2014)
  • Smiling Through the Apocalypse (2013)
  • Salinger (2013)[69]
  • Felix Dennis: Millionaire Poet (2012)
  • Tom Wolfe Gets Dorsum to Blood (2012)
  • A Light in the Nighttime: The Art & Life of Frank Bricklayer (2011)
  • Bill Cunningham New York (2010)
  • Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)
  • Buy the Ticket, Accept the Ride: Hunter South. Thompson on Film (2006)
  • Annie Leibovitz: Life Through a Lens (2006)
  • Breakfast with Hunter (2003)
  • The Last Editor (2002)
  • Dick Schaap: Flashing Before my Eyes (2001)
  • Where It'due south At: The Rolling Stone Land of the Matrimony (1998)
  • Peter York's Eighties: Post (1996)
  • Bauhaus in America (1995)
  • Manufacturing Consent: Noam Chomsky and the Media (1992)
  • Superstar: The Life and Times of Andy Warhol (1990)
  • Spaceflight (1985)
  • Upwardly Your Legs Forever (1971)

Notable articles [edit]

  • "The Terminal American Hero Is Junior Johnson. Yes!" Esquire, March 1965.
  • "Tiny Mummies! The Truthful Story of the Ruler of 43rd Street's State of the Walking Dead!" New York Herald-Tribune supplement (April 11, 1965).
  • "Lost in the Whichy Thicket," New York Herald-Tribune supplement (April 18, 1965).
  • "The Birth of the New Journalism: Bystander Written report by Tom Wolfe." New York, February 14, 1972.
  • "The New Journalism: A la Recherche des Whichy Thickets." New York, February 21, 1972.
  • "Why They Aren't Writing the Great American Novel Anymore." Esquire, December 1972.
  • "The Me Decade and the Third Great Awakening" New York, Baronial 23, 1976.
  • "Stalking the Billion-Footed Animal", Harper's. November 1989.
  • "Pitiful, but Your Soul But Died." Forbes 1996.
  • "Pell Mell." The Atlantic Monthly (November 2007).
  • "The Rich Have Feelings, Too." Vanity Fair (September 2009).

Writing about Tom Wolfe [edit]

  • "How Tom Wolfe became ... Tom Wolfe" past Michael Lewis in Vanity Fair (November 2015).
  • Tom Wolfe's America: Heroes, Pranksters, and Fools by Kevin T. McEneaney. Praeger, 2010.

See also [edit]

  • Artistic nonfiction
  • Hysterical realism
  • Wolfe'south concept of fiction-accented

Notes [edit]

  1. ^ Some sources say 1931; The New York Times and Reuters both initially reported 1931 in their obituaries before changing to 1930. Come across "Tom Wolfe, 88, 'New Journalist' With Electrical Style and Acrid Pen, Dies". The New York Times. May 15, 2018. and Trott, Bill. "'Bonfire of the Vanities' author Tom Wolfe dead at 88". Reuters.
  2. ^ This was the honour for hardcover "General Nonfiction".
    From 1980 to 1983 in National Book Award history, in that location were dual awards for hardcover and paperback books in many categories, including several nonfiction subcategories. Most of the paperback award-winners were reprints, including the 1980 General Nonfiction.

References [edit]

  1. ^ "Tom Wolfe, Writer, Weds Sheila Berger". The New York Times. May 28, 1978. ISSN 0362-4331. Retrieved May 19, 2021.
  2. ^ a b Carmody, Deirdre; Grimes, William (May xv, 2018). "Tom Wolfe, Author of 'The Right Stuff' and 'Bonfire of the Vanities,' Dies". The New York Times . Retrieved May 15, 2018.
  3. ^ Weingarten, Marc (January i, 2006). The Gang that Wouldn't Write Straight: Wolfe, Thompson, Didion, and the New Journalism Revolution. Crown Publishers. ISBN9781400049141 – via Google Books.
  4. ^ "Tom Wolfe, dapper dean of 'new journalism' who never forgot his Richmond roots, dies at 88". Richmond Times-Despatch. May 16, 2018. Retrieved May 17, 2018.
  5. ^ "Renowned author Tom Wolfe dies at 88". ABC news . Retrieved May 17, 2018.
  6. ^ Available on microform from the Yale Academy Libraries, Link to Entry [ permanent dead link ]
  7. ^ Ragen 2002, pp. half-dozen–x
  8. ^ Ragen 2002, pp. 9
  9. ^ "Tom Wolfe: A Homo in Full".
  10. ^ Rosen, James (July ii, 2006). "Tom Wolfe's Washington Postal service". The Washington Mail . Retrieved March 9, 2007.
  11. ^ Mclellan, Dennis (July 2, 2008). "Clay Felker, 82; editor of New York magazine led New Journalism accuse". Los Angeles Times . Retrieved November 23, 2008.
  12. ^ Tom Wolfe (August 18, 1963) "Kennedy to Bardot, Also Much Sanpaku", New York Herald Tribune
  13. ^ Ragen 2002, pp. 11–12
  14. ^ Wolfe, Tom; East. Westward. Johnson (1973). The New Journalism. New York: Harper & Row, Publishers. pp. 31–33. ISBN0-06-014707-v.
  15. ^ "A Guide to the Work of Tom Wolfe". contemporarythinkers.org.
  16. ^ Wolfe, Tom (September 1970). "The New Journalism". Bulletin of American Gild of Newspapers: 22.
  17. ^ Kallan, Richard A. (1992). Connery, Thomas B. (ed.). "Tom Wolfe". A Sourcebook of American Literary Journalism: Representative Writers in an Emerging Genre. New York: Greenwood Printing: 252.
  18. ^ Ragen 2002, pp. 19–22
  19. ^ "ten Questions for Tom Wolfe". Time. August 28, 2008. Archived from the original on September 1, 2008. Retrieved May 25, 2010.
  20. ^ Coyne, Jerry (August 31, 2016). "His white suit unsullied by research, Tom Wolfe tries to take downward Charles Darwin and Noam Chomsky". The Washington Mail service . Retrieved September i, 2016.
  21. ^ Sullivan, James (August 25, 2016). "Tom Wolfe traces the often-amusing history of bickering over how humans started talking". The Boston Globe . Retrieved August 26, 2016.
  22. ^ Ragen 2002, pp. 22–29
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  • Bloom, Harold, ed. (2001), Tom Wolfe (Modern Critical Views), Philadelphia: Chelsea House Publishers, ISBN0-7910-5916-2
  • McKeen, William. (1995), Tom Wolfe, New York: Twayne Publishers, ISBN0-8057-4004-X
  • Ragen, Brian Abel. (2002), Tom Wolfe; A Critical Companion, Westport, Connecticut: Greenwood Press, ISBN0-313-31383-0
  • Scura, Dorothy, ed. (1990), Conversations with Tom Wolfe , Jackson: University Press of Mississippi, ISBN0-87805-426-X
  • Shomette, Doug, ed. (1992), The Disquisitional Response to Tom Wolfe, Westport, Connecticut: Greenwood Press, ISBN0-313-27784-two

External links [edit]

  • Official website
  • Tom Wolfe papers, 1930-2013, held by the Manuscripts and Archives Partition, New York Public Library.
  • Tom Wolfe Biography and Interview with American Academy of Achievement
  • George Plimpton (Spring 1991), "Tom Wolfe, The Art of Fiction No. 123", The Paris Review, vol. Spring 1991, no. 118.
  • Article about Wolfe's recent public appearance at the Chicago Public Library from fNews (a publication of the School of the Fine art Found of Chicago)
  • "The Word According to Tom Wolfe": Episode 1, Episode 2, Episode 3, Episode 4, and Episode 5 from National Review
  • The Future of the American Thought: Pell-Mell in The Atlantic Monthly (November 2007)
  • June 2006 interview from frieze
  • Tom Wolfe author folio by TheGuardian.com
  • National Review 100 All-time Non Fiction Books 20th century
  • Tom Wolfe's 2006 Jefferson Lecture
  • Sorry, merely Your Soul Just Died
  • Works by or about Tom Wolfe in libraries (WorldCat catalog)
  • Tom Wolfe'southward Steamy Portrait of College Life — an interview about "I Am Charlotte Simmons" in BookPage (Dec 2004)
  • Appearances on C-Span
    • In Depth interview with Wolfe, Dec 5, 2004
  • "Should Tom Wolfe Still Hate The New Yorker?" in Construction Mag (January 9, 2012).

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Source: https://en.wikipedia.org/wiki/Tom_Wolfe

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